The project, which centers on the rise and fall of Elizabeth Holmes, earned double the revenue analysts initially forecasted. By capturing such a significant portion of the weekend audience, the film signals a rare commercial appetite for investigative nonfiction in a theatrical landscape typically dominated by tentpole studio releases and concert films.
Nathan Fielder documentary shatters box office records
With $15 million in ticket sales over its opening weekend, Nathan Fielder’s three-hour documentary You Can See Everything has defied industry projections. The film secured second place at the domestic box office, trailing only Street Fighter, while marking the most successful launch for a non-music documentary since Fahrenheit 9/11 in 2004.
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